MYANMAR
As I Was Walking In Pagan
Framed By Time In Pagan
Mandalay
Illusion
Fields Of Gold
Ruby Bead, Diamond Sutra
Pillars Of Enlightenment
Mandala
Om! The Jewel In The Lotus
Hands Of Benevolence, Hands Of Gratitude
Hands Of Compassion
Please Take Good Care Of My Daughter
Remembering Home, Far Away
Twilight At The River Of Lost Footsteps
Song Of Burma
Reverberation Of The Soul
Melody Of A Thousand Waterdrops Falling
Sometimes, I Wonder...
The Promise
Stillness I
Stillness II
In This Earth, In That Wind
Be...
 
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Shwedagon, Yangon, Myanmar, 1986

The “Road to Mandalay” series reveals the Fee Ming forte—the zooming approach, the infinite minutiae of detail, the magnificent colours and the genuine emotion. For some viewers, the present destinies of Myanmar and the life of withdrawal of the monks impart sadness or melancholy to the rich flames of the artist’s palette. Others may see in the monks clad in their robes of fire a reminder of the supremacy of the religious over the secular. Those politically oriented may even remember the same monks in Vietnam…But mostly, Fee Ming’s Burmese series illustrates the continuing spirituality and the hope of the people of Myanmar. They are a pictorial celebration of a kind of beauty that needs no further comment

 

 

 

 

 


No part of these documents may be reproduced, altered or utilized in any form or by any means,
electronic or mechanical, including photocopying, recording or by any information storage
and retrieval system, without permission in writing from
Chang Fee Ming.

Copyright © 2001 Chang Fee Ming.
All Rights Reserved.

 

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